Pop music, pop art, pop movement…
what’s POP?
Pop art is a movement originary
from United Kingdom in the 50’s, created by a group of artists named
‘Independent Group’. “POP” is the abbreviation of ‘Popular Art’, which was
suggested by Alloway in 1954, one of the group’s founders. They used the mass culture’s
language, introducing it into the world
of art, and, at the same time, criticizing it ironically. Their works are
figurative, as a reaction against abstract painting and surrealism, and most of
them are collages made out of advertisements.
The first painting considered as
pop is Just what is it that makes today's homes so different, so appealing? (1956) by Richard Hamilton, also part of
the Independent Group. It consists in a collage in which we can see objects
characteristic of his epoque: a body builder (Charles Atlas) holding lollipop
with the word POP on it (which is an easy word game, thanks to which the name
‘POP Art’ spread itself), a magazine girl wearing a lampshade on her head, a
television, a vacuum cleaner, a tinned food can, a Ford logo in a frame,
another one with a comic inside, a taperecorder on the floor; and also, we can
see a cinema billboard through the window. They all are icons that represent
progress after war. They also were icons against the consumerism’s and the American influence in the Britanic
society.
Lichstenstein, Oh, Jeff! |
Warhol, 100 cans |
This movement booms almost at same time in New York and Los Angeles.
There was an adequate atmosphere for this due to Duchamp’s ‘ready-mades’ and
John Cage’s classes…
Soon, this movement was accept by the general public because
it was easy to understand. Today we mostly think of Warhol,
Rauschenberg, Lichstenstein when thinking of pop. We have also nowadays’ most
important pop artists, such as Takashi Murakami… but we tend to forget about
Mr. Atlas’ ‘Lollipop’.
Rauschenberg, Retroactive |
cristinadelrosso.com // cristinadelrosso.artproject@gmail.com
Sources: Hopkins, D. , After Modern Art 1945-2000. Londres,
2000;
Honour, H.-Fleming, J. Weltgeschichte
der Kunst, Munich, 1983;
personal notes.
Translation: Lorenzo Vigo
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Translation: Lorenzo Vigo
Did you know these aspects of POP?
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