Mondrian considered stained glass windows the perfect bond between light, spirit and art. That led him to surround pure colors with black lines, like they were the joints in stained glass windows found in ancient cathedrals.
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Sources: Deicher, S. Mondrian, Köln, Taschen, 2010;
Dittmann, Farbgestaltung und Farbtheorie in der abendländischen Malerei, Darmstadt, WBG, 1987;
personal notes
Design and translation: Lorenzo Vigo
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