This artwork is one that was
quite talked about by the critics. As usual, Manet provokes an ambiguous sensation, making us feel like he
is trying to tell us more than what he is showing.
He was already famous, especially, for his
tendency to agitate. He portrays his friend Jules Guillemet and his wife, who
owned a well known clothing shop in Paris, in another friend’s conservatory,
Swedish painter Georg Otto von Rosen’s.
See a more detailed analysis of this painting
in the following slideshow.
Checking these past posts might be useful to
understand this one better:
Remember that if you are using a tablet or a smartphone and you
can't read the whole post, you can access to an alternative version of
it on Youtube.
Sources: Hirdt, W. Manet und Zola. Tübingen, A.Francke V., 2001;
Willsdon, C.A.P. In the Gardens of Impressionism. London, Thames &
Hudson, 2004
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